"Passion is engendered, not by feeling and emotion, but rather by action." Anne Bogart
Here is the link to a fantastic blog by Anne Bogart founder of the SITI Company in NYC.
http://siti.org/content/heat
Friday, June 28, 2013
Tuesday, June 11, 2013
Dreaming
I dream a lot. Nightmares, constantly. Life-like scenarios when you wake up thinking "that actually happened," all the time. Naked dreams, flying dreams, speaking-in-a-foreign language dreams -- yup, all of the above, frequently.
No wonder then that since we've embarked on Dream my sleeping hours have been as hyperactive as ever.I don't remember much else about the dream, except that all of this seemed 100% rational. No one at any time said, "This is insane," or "What the hell is going on here," or anything like that. We weren't in the least bit upset about it.
But what if I was more like Bottom? An ass with a dream, who's not afraid to share it, or to take others along for the glorious ride. Something about that seems oddly appealing.
Thursday, June 6, 2013
Word Made Flesh
Yesterday, we started on a 5-week
refresher, based on Kristin Linklater's exquisite guidebook to the
universe, "Freeing Shakespeare's Voice."
Lying on the floor, standing there in a
circle, with people I love and respect greatly, allowing vowels and
consonants to have their way with us physically and emotionally --
well, as one teacher said to us once, "I'm not sure what it is,
but it isn't nothing."
I must remember to prepare myself in the
future, because it always opens a door of immediacy in me that I find
it impossible to close.
Let that "O" really drop into the belly,
give in to all that vulnerability that "AY" demands,
and suddenly I feel everything intensely, personally, devastatingly. I can't turn it off, and frankly, I don't want to.
The best advice to myself and others at this point has always been to pray for a thick skin, and a soft heart.
Let that "O" really drop into the belly,
give in to all that vulnerability that "AY" demands,
and suddenly I feel everything intensely, personally, devastatingly. I can't turn it off, and frankly, I don't want to.
The best advice to myself and others at this point has always been to pray for a thick skin, and a soft heart.
Danger, Will Robinson: this experience
cannot be about me. My vocation is to be an actor. I am an emotional
skydiver on behalf of my audience. I serve the playwright and his
text. I open myself as a vessel for the character that has been
created. I give myself to my scene partners. And if I don't, then I
am a selfish pig.
"Resist the sound for as long as
you can," Kristin Linklater says, "and when you can't stand
it any longer, give in to it." I give in. It's all there. I
don't have to add anything, or be clever, or anything like that --
just available. Word made flesh.
Monday, June 3, 2013
Opposites Attract - Part One
I find opposites an absolute
thrill.
In our Dream, we've discovered that the
Mechanicals all have their foils in the Fairies. Peter Quince, Snout,
Snug and Flute -- salt-of-the-earth citizens struggling to stay
upright and on the wagon -- evolve into Peaseblossom, Mustardseed,
Moth and Cobweb -- amoral sprites who don't hesitate to do...well,
anything Titania tells them.
The Mechanicals also seem to discover
their alter-egos in their roles in Pyramus and Thisby. During
a rehearsal of 5.1 the other night, we found ourselves in the middle
of a sort of epic Greek drama, involving elevated poses and complex
choreography.
This is a rush. And I think it's
because all of these opposites have already met inside of each one of
us, and they are simply psyched to be let out of their cages for a
little while.
Taking it a little further, I think
this might be why Dream is thrilling in general. In your own dreams,
you can suddenly be anything and find yourself anywhere. The same's
true in this Dream: our inner monarchs, lovers, magicians, and
warriors all show up for the party.
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